Saturday, November 9, 2019 | 7:30 PM
Wednesday, November 13, 2019 | 7:30 PM
Friday, November 15, 2019 | 7:30 PM
Sunday, November 17, 2019 | 2:00 PM
Composer: Giacomo Puccini
Librettists: Luigi Illica & Giuseppe Giacosa
Conductor: David Charles Abell
Director: Kathleen Smith Belcher
Single tickets on sale July 15, 2019. Subscriptions available now.
Approximate running time is 2 hours, 40 minutes with two intermissions.
Love is fleeting. Lovers even more so.
Paris is for lovers…Puccini is for opera lovers. At the crossroads, and unrivaled romance sets bright bohemian rhapsodies against a tragic trajectory, blending into one of opera’s quintessential tearjerkers.
It’s here, on a brisk, candlelit night, that a young seamstress loses her keys and finds the love of her life.
The merciless winter chill seeps and creeps through the couple’s drafty dwelling until it permeates their hearts, replacing hope and happiness with doubt and jealousy. The two lovers are finally reunited – and their love rekindled – by a tragic turn of a events that ultimate leaves on of them consumed by grief, and the other by consumption.
C’es la vie. C’est l’amour. C’est l’opera.
UNDERSTAND EVERY WORD: La bohème will be sung in Italian, with English subtitles.
La bohème is sponsored by Mr. & Mrs. C. Humbert Tinsman, Jr.
Rodolfo – Georgy Vasiliev
Tenor Georgy Vasiliev returns to the Lyric in La bohème, most recently seen here as Pinkerton in Madama Butterfly (2018). Originally trained as a choral conductor in Moscow, his repertoire includes the Duke in Rigoletto, Lensky in Eugene Onegin, Edgardo in Lucia di Lammermoor, Romeo in Romeo et Juliette, the title role in Faust, Alfredo in La traviata, Vladimir in Prince Igor, and Nemorino in The Elixir of Love. Vasiliev is a frequent concert soloist at the Bolshoi Theatre in Moscow, Deutsche Oper Berlin, Grand-Théâtre de Genève, Opera Australia, and others. He has sung at international festivals throughout the world, performing in Rachmaninoff’s The Bells, Beethoven’s Symphony No. 9, Bruckner’s Te Deum, and Janàček’s The Eternal Gospel, among others.
Mimì – Raquel González
Raquel González returns to Lyric Opera, most recently seen here as Tatiana in Eugene Onegin (2017). Recent engagements include Liù in Turandot at New Orleans Opera; Anna Sørensen in Silent Night at Washington National Opera; Micaëla in Carmen at North Carolina Opera; First Lady in The Magic Flute at The Glimmerglass Festival and Opera Theatre of Saint Louis; The Sandman in Hansel and Gretel with Washington National Opera; Tatiana in Eugene Onegin at Atlanta Opera; Violetta in La traviata at Opera on the James and Syracuse Opera; Cio-Cio San in Madama Butterfly at Central City Opera, and Mimì in La bohème at Opera Tampa and The Glimmerglass Festival.
Marcello – Timothy Renner *
Baritone Timothy Renner debuts with Lyric Opera in La bohème. Recent engagements include Alidoro in La cenerentola at Bob Jones University, Eisenstein in Die Fledermaus at Vero Beach Opera, Germont in La traviata with Opera Columbus, and Zurga in Carmen with Opera Tampa. While studying at The Academy of Vocal Arts, he performed as Conte di Luna in Il Trovatore, the title role in Rigoletto, Alberich in Das Rheingold and Harlequin in Ariadne auf Naxos. Concert performances include Carmina Burana and Fantasia on Christmas Carols with Eastern Symphony Orchestra, and soloist in Bach’s St. Matthew Passion with Sinfonia de Camera. Upcoming role debuts include the lead role in Pelleas et Melisande, Valentin in Faust, and Escamillo in Carmen.
Musetta – Sylvia D’Eramo *
Soprano Sylvia D’Eramo debuts with Lyric Opera in La bohème. D’Eramo was part of the Benenson Young Artist Program at Palm Beach Opera, where her appearances included Adele in the family performance of Die Fledermaus. Other recent engagements include a return to Santa Fe as an Apprentice in Summer 2019; soprano soloist in Beethoven’s Symphony No. 9 with the Glens Falls Symphony Orchestra and Yale Philharmonia; and Pamina in The Magic Flute, Fiordiligi in Così fan tutte, and Gretel in Hansel and Gretel with Yale Opera. In concert, she also appeared with the Marvin Concert Series for Verdi’s Requiem.
Colline – Christian Zaremba
Bass Christian Zaremba returns to Lyric Opera for La bohème, most recently seen here as Nourabad in The Pearl Fishers (2019). Other recent engagements include a debut at The Metropolitan Opera as Angelotti in Tosca; Zuniga in Carmen at Austin Opera; Sparafucile in Rigoletto at Michigan Opera Theatre; Colline in La bohème with Opera Omaha and Portland Opera; Jake Wallace in La fanciulla del West at Opera Omaha; Commendatore in Don Giovanni with Venture Opera; Master Fal in the U.S. Premiere of La mère coupable with On Site Opera, and, at Wolf Trap Opera, Collatinus in The Rape of Lucretia and Bartolo in The Marriage of Figaro.
Schaunard – Hadleigh Adams
Baritone Hadleigh Adams debuts with Lyric Opera in La bohème. Recent highlights include Ormonte in Partenope, Paris in Romeo and Juliette, Schaunard in La bohème, and Angelotti in Tosca with San Francisco Opera; Nicomedes in Young Caesar with Los Angeles Philharmonic; Guglielmo in Così fan tutte at Pittsburgh Opera; Hawkins Fuller in Fellow Travelers at Minnesota Opera; Falke in Die Fledermaus at Cincinnati Opera; Creon/Tiresias in Oedipus Rex with The London Philharmonia Orchestra; Christ in Jonathan Miller’s staged production of St. Matthew Passion; Zoroastro in Handel’s Orlando at WhiteBox Theater, and Carl-Magnus in A Little Night Music at Nederlandse Reisopera.
Other casting to be announced at a later date.
* Lyric Opera Debut
+ LOKC Resident Artist
~ LOKC Apprentice Artist
@ Former LOKC Young Artist