Recently, Driscoll designed lighting and projections for a new production of Macbeth for Atlanta Opera, lighting for a new production of Aida at Opernfestspiele St. Margarethen in Austria, projections for a new production of Turandot in Bari Italy, lighting for Encores! production of The Life (re-imagined and directed by Billy Porter), lighting and projections for Chicago Opera Theatre's production of Becoming Santa Claus, lighting and projections for Houston Grand Opera’s Marian’s Song, lighting for Turandot at Opernfestspiele St. Margarethen (Austria), projections for The Flying Dutchman (Florence and Bologna, Italy), and lighting and projections for Iolanta at Chicago Opera Theatre. Otto’s design work is seen frequently in New York City and in regional theater and opera. His credits include The Huntington Theatre Company, Utah Opera, The Old Globe Theatre, Opera Omaha, Opera Philadelphia, Dallas Theater Center, Drury Lane Theatre, Chicago Opera Theatre, Houston Shakespeare Festival, Trinity Repertory Company, Hangar Theatre, Flat Rock Playhouse, Lyric Opera Kansas City, and productions of Legally Blonde and Rock of Ages for Norwegian Cruise Lines. Highlights to his resume include projection design for Santa Fe Opera’s production of The Golden Cockerel and The Metropolitan Opera’s production of La donna del lago .
He received his MFA from New York University’s Tisch School of the Arts. His work can be seen at www.DriscollOtto.com
