Pre-Opera Talks

Do you have tickets to see an opera at the Kauffman Center? Come fifty minutes early to learn about the who, what, where, when, and why of the production you’re about to see.

Unless otherwise indicated, Pre-Opera Talks are held in the Muriel Kauffman Theatre at the Kauffman Center for the Performing Arts. You may sit in any available seat for Pre-Opera Talks. We kindly ask that you relocate to your ticketed seat for the performance.

Cinderella

Dr. Martin Nedbal, speaker

  • Saturday, September 27, 2025, 6:40 pm–7:00 pm
  • Friday, October 3, 2025, 6:40 pm–7:00 pm
  • Sunday, October 5, 2025, 1:10 pm–1:30 pm

Martin Nedbal, Associate Professor of Musicology at the University of Kansas, is the author of Viennese Opera and Morality in the Age of Mozart and Beethoven (Routledge, 2017) and translator and editor of The Published Theoretical Works of Leoš Janáček (Editio Janáček, 2020). His articles on Mozart, Beethoven, and Czech music have also appeared in many journals and books.

Madame Butterfly

Dr. Neal Long, speaker

  • Friday, November 14, 2025, 6:40–7:00 pm
  • Saturday, November 15, 2025, 6:40–7:00 pm
  • Sunday, November 16, 2025, 1:10 pm–1:30 pm

Neal Long is the Director of Learning at Lyric Opera of Kansas City where he carries out the organization’s mission of education and community engagement with programs designed to promote artistic literacy in Kansas City and provide audiences the social-emotional tools needed to connect deeply with what they see on stage. An accomplished musician, Neal has performed leading operatic tenor roles throughout the United States and regularly serves as music director and director. A new music champion and enthusiast, Neal has premiered works by several composers and is responsible for overseeing the commission and production of three works for intergenerational audiences at Lyric Opera of Kansas City—Rachel J. Peters’ Sketchbook for Ollie, Rosabella Gregory and Dina Gregory’s The Haberdasher Prince, and Lori Laitman and Dana Gioia’s Maya and the Magic Ring. A passionate educator, Neal has taught at institutions including The University of Kansas and Missouri Western State University.

The Gershwins®'Porgy and bess

Nedra Dixon, speaker

  • Saturday, February 28, 2026, 6:40–7:00 pm
  • Friday, March 6, 2026, 6:40–7:00 pm
  • Sunday, March 8, 2026, 1:10 pm–1:30 pm

Nedra Dixon is a celebrated performer, director, and choreographer. She has received critical acclaim in venues spanning Broadway and Off-Broadway, national tours, regional theatres, concert venues, White House, and Kennedy Center performances, with credits including Bubblin’ Brown Sugar, Tintypes, Hair, Jesus Christ Superstar, Godspell, Into the Woods, Man of La Mancha, Children of Eden, Annie, Thoroughly Modern Millie, Songs for a New World, Let’s Call The Whole Thing Gershwin (in which she sang the role of “Bess” from Porgy and Bess), Oklahoma, and A Midsummer Night’s Dream—to name just a few. She has shared the stage with such eclectic artists as Kristin Chenoweth to Meat Loaf, and has worked with noted theatre industry powerhouses including Stephen Schwartz, John Caird, Susan Stroman, Jerry Zaks, Richardo Khan, Luther Henderson, Martin Charnin, Arthur Faria, and Charles Strouse and Lee Adams.

Directing projects include In the Heights, Hair: Then and Now, Once On This Island, Grey Gardens, Sophisticated Ladies, Children of Eden, and Beehive. She is active in Kansas City’s lively arts scene, directing world premiere productions of Maya and the Magic Ring, Listen! Wilhelmina, and Sketchbook for Ollie for Lyric Opera of Kansas City. This Fall she is looking forward to re-staging The Lyric’s production of The Haberdasher Prince. Dixon recently directed Lady Day at Emerson’s Bar and Grill at Kansas City Repertory Theatre and appeared as The Storyteller in their holiday spectacular, A Christmas Carol. She has also been seen onstage in Kansas City productions of Uncle Vanya, Fat Ham, Skeleton Crew, Dot, Company, Kate Hamill’s Pride and Prejudice, Lady Day at Emerson’s Bar and Grill, Ruined, The Piano Lesson, Welcome to Fear City, The Wiz, Black Pearl Sings!, and A Raisin in the Sun.

In an unexpected turn, Nedra can be seen in popular rapper, Tech N9ne’s, hip-hop music video, “Fear”, which has been viewed over 3 million times on YouTube. For five years, she performed with national and international luminaries of the jazz world as a featured vocalist and co-host” on Kansas City’s NPR-affiliated jazz show, “12th Street Jump”. She also serves on the Board of Directors of Kansas City Actor’s Theatre (KCAT), and of Spinning Tree Theatre.

Nedra and her colleague and friend, Pamela Baskin-Watson, are 2022 recipients of OPERA America’s IDEA Grant for their creation of a new folk opera, A God • Sib’s Tale. This dynamic endeavor brings to the forefront, in soaring music and vivid story-telling, the intricate lives of eight Black women, set in a 1957, racially-tense, fictional town, Floyd County, Ohio. It was presented as a staged reading in Kansas City in January 2022; and currently, there are new possibilities on the horizon.

As an artist who is ever-curious and ever-evolving, at this point in her artistic journey, Nedra enthusiastically embraces the role of “Griot”, sharing rich, diverse stories, glorious sounds, beautiful movement, from a cross-section of cultures, backgrounds and identities. The arts and story-telling, are an inextricable part of her being—as necessary as oxygen. She is a “Keeper of the Flame” of her undeniable artistic traditions.

Of Mice and Men

Dr. Rebecca Johnson, speaker

  • Friday, May 1, 2026, 6:40 pm–7:00 pm
  • Saturday, May 2, 2026, 6:40 pm–7:00 pm
  • Sunday, May 3, 2026, 1:10 pm–1:30 pm

With a background that combines extensive instrumental and choral skills with a love of music education and history, Rebecca Johnson has worn numerous musical hats during her career. Her performance ensembles include the Metropolitan Chorale of Kansas City, Sacred Arts Chorale, and Vox Luminis. Groups under Dr. Johnson’s baton have performed in England, Brazil, and across the United States.

Recently retired as Coordinator of Music at Metropolitan Community College Blue River and Director of Sacred Arts for Central Theological Seminary, Johnson holds a Doctor of Music from the University of Missouri-Kansas City Conservatory, a master’s degree from the University of Nebraska, and a bachelor’s degree from the University of Northern Colorado.

In addition to teaching and performing, Johnson is a frequent lecturer. Locally, Johnson has loved providing Pre-Opera Talks and Opera Dives Deep lectures for Lyric Opera of Kansas City for over ten years. Abroad, her favorite lectures have included “Sacred Music in America” in South Korea and “The Music of Louis Armstrong” to high school students in Yangon, Myanmar.

Previous Talks

Turandot

Dr. Andrew Granade, speaker

  • Friday, May 2, 2025, 6:40 pm–7:00 pm
  • Saturday, May 3, 2025, 6:40 pm–7:00 pm
  • Sunday, May 4, 2025, 1:10 pm–1:30 pm

Andrew Granade is Professor of Musicology at The University of Missouri–Kansas City Conservatory. He is the author of Harry Partch: Hobo Composer, “Cracking the Code: What Notation Can Tell Us About Our Musical Values” in the first volume of Open Access Musicology, and several articles on music and science fiction television and music history pedagogy. He is currently editing two collections (one on Harry Partch and the other on Arkansas music for Illinois Press), and is beginning a monograph about the wind band in American history. He also co-hosts the podcast “Hearing the Pulitzers” with David Thurmaier.

Cruzar la Cara de la Luna

Edgar J. Palacios, speaker

  • Friday, March 7, 2025, 6:40 pm–7:00 pm
  • Saturday, March 8, 2025, 6:40 pm–7:00 pm
  • Sunday, March 9, 2025, 1:10 pm–1:30 pm

Edgar J. Palacios is a passionate advocate for Latino representation in education and the founder of two influential nonprofits, the Latinx Education Collaborative (LEC) and Revolucion Educativa (RevED). With an MBA from Rockhurst University and a Bachelor of Music degree from the University of Missouri-Kansas City, Edgar's dedication to educational equity is evident through his involvement in esteemed fellowship programs and leadership roles in various organizations. He has received numerous awards for his contributions to the Latino community and is also a Certified Executive Coach. Edgar is a baritone.

The Barber of Seville

Dr. Raffaele Cipriano, speaker

  • Friday, November 15, 2024, 6:40 pm–7:00 pm
  • Saturday, November 16, 2024, 6:40 pm–7:00 pm
  • Sunday, November 17, 2024, 1:10 pm–1:30 pm

Raffaele Cipriano, esteemed Italian conductor, opera coach, and composer, trained at the Conservatories of Padua and Venice, excelling in orchestral conducting, collaborative piano, opera repertoire, and composition. In 2015, he began a doctorate in orchestral conducting at KU under Maestro David Neely, graduating with honors in 2018. Cipriano has collaborated with renowned organizations like Lawrence Arts Center, Lawrence Opera Theater, and Landlocked Opera. He was an assistant/cover conductor at Sarasota Opera and is now assistant conductor for the Topeka Symphony Orchestra and Director of Orchestras at Washburn University. His notable achievements include music direction for Carmen and Don Giovanni with Lawrence Opera Theater, conducting A Chorus Line in Topeka, and guest conducting the Springfield Symphony. Upcoming engagements include guest conducting the Kansas City Civic Orchestra in 2025. Based in Kansas City, he directs the Overland Park Orchestra and the Youth Symphony of Kansas City's Repertory Orchestra.

THE BRIGHTNESS OF LIGHT

Dr. Rebecca Johnson, speaker

  • Friday, September 27, 2024, 6:40 pm–7:00 pm
  • Sunday, September 29, 2024, 1:10 pm–1:30 pm

With a background that combines extensive instrumental and choral skills with a love of music education and history, Rebecca Johnson has worn numerous musical hats during her career. Her performance ensembles include the Metropolitan Chorale of Kansas City, Sacred Arts Chorale, and Vox Luminis. Groups under Dr. Johnson’s baton have performed in England, Brazil, and across the United States.

Recently retired as Coordinator of Music at Metropolitan Community College Blue River and Director of Sacred Arts for Central Theological Seminary, Johnson holds a Doctorate of Music from the University of Missouri-Kansas City Conservatory, a Master’s Degree from the University of Nebraska, and a Bachelor’s Degree from the University of Northern Colorado.

In addition to teaching and performing, Johnson is a frequent lecturer. Locally, Johnson has loved providing Pre-Opera Talks and Opera Dives Deep lectures for Lyric Opera of Kansas City for over ten years. Abroad, her favorite lectures have included “Sacred Music in America” in South Korea and “The Music of Louis Armstrong” to high school students in Yangon, Myanmar.